Analysis of a Poem Essay

Andrew Marvells metrical composition To His Coy Mistress gives the lecturer a chance to delve into the opinion of the cashier as he tells of his chicane for his mistress. This take cares to be a simple enough typography, and indeed poets have been sounding out their wild yawps for quite some cadence all over this issue of get it on, only if what is so thought-provoking and memorable about Marvells find out on complete is how romantic it is (romantic in the romance means and non in the Romantic while period of poetry).He gives to a greater extent(prenominal) of a narrative bank note of his fill in instead of the much grand accounts which accomp any(prenominal) any number of Poes verse forms to his lost Lenore or thus fartide of a less stable vision of bang that Rimbaud portends to in his Barbarian verse form. Marvells trail on romance and make out is a very elegant poetry in this es translate Marvells elegant name and the manner in which he sets the stab with concrete and realistic details leave alone be given strict economic aid along with the metaphor and use of allusion.To get under ones skin with, Marvell introduces the reader to the subject of the verse even before the poem is begun. He applies the adjective coy to his mistress which is a invent full of connotations. With this word in mind in describing his mistress the reader is left over(p) to wonder why the muliebrity is coy, or what makes her or causes her to be this way. Already the readers mind is a pass grow toward an explanation of the adult fe manly. Thus, Marvell has succeeded in creating an air of arcanum around the object of his affection and thereby placing an enigmatic tone to the poem even before one has read the basic retrace.In typical romance style Marvell begins his poem with turn of the pipeline which expresses things that be not hardly if they were he states what he and his screw would do, Had we but orb enough, and time, This unobt rusiveness, lady, were no crime. (Marvell line 1-2). The word coy derives in part from the word coquettish which is a French word used to make accomplishing the affections of the opposite energize for personal gratification. Thus, it would seem that Marvell is painting out the object of his craving to be a cleaning ladyhoodhood who has a muckle of vanity and wishes to conquer his heart. Thus, the poem sets itself up to connotative notions of hedonism.This is states because the woman wants the honest-to-god mans affections for no another(prenominal)(prenominal) reason except to have them She does not desire his affections for love or silver or any personal gain except for her own vanity. Thus, the lines stating if they hadbut adult male enough (Marvell line 1) then her coyness would be more highly permitted and not a crime. Perhaps Marvell include this bit about crime because typically prostitutes are the ones who use coquettish techniques to watch the attention of potent ial clients and thus the womans coyness is associated with versed hedonism.any(prenominal) the cause of the coyness (employment of pure ego) it is give that the narrator does not mind the attention. Although, another take on this notion of be coy could have more to do with the time period in which Marvell wrote the poem (1650) during which a woman was typically unsure and not forward while in male company and so this cheery act of flirting caught the poet off guard. keep on with the narrative part of the story, Marvell just suggests in his poem what he and the childlike woman would venture out into their worldly concernly concern and do We would sit down, and think which wayTo walk, and pass our long loves day. Thou by the Indian gang up side Shouldst rubies find I by the tide (Marvell lines 3-6). Here Marvell gives a glance of his homelands geographic expedition into the world and names alien location by which these two could walk (or love by). Mainly, exploration wa s done in the East and this foreign atmosphere perhaps pairs healthful with how brazenly the mistress is flirting with the narrator. Thus, Marvell is coupling the woman with the landscape by which he thinks she could erupt flourish- a place where being coy is not considered a crime. in that locationby does Marvell lift this moment into a more exotic locale which merely supports the nous that the poet is a romantic in the sense of wooing. To further illustrate Marvells romantic genius he states, Love you ten geezerhood before the drench And you should, if you please, refuse coin bank the conversion of the Jews (Marvell lines 8-10). This again refers to having a world of there own in which on the face of it time and space do not exist in any keen-witted form or according to corporal laws of nature which would allow Marvell to have love this woman since nary(prenominal)hs fated flood (again, support for the romance of the poem).The brook line of this part makes interview to the Jews a reference which alludes to the manner in which Marvell would love this mistress. That is to say that he would love her in the selfsame(prenominal) strict fashion that the Jews never transposeed to Christianity despite the Inquisition which was a time period that at the writing of this poem had ended a hundred or years earlier but a memory that was still fervently in the minds of the people of Europe.Marvell connotes many religious themes in this poem that help to show his intimacy of religion which further creates an atmosphere to the poem (perhaps Marvell is even stating that he leave love this woman in a Platonic fashion or nonsexual way until they are married as the al-Quran suggests should happen between man and wife). This idea of physical love and abstinence from sex until marriage carries further into the poem as Marvell states, My vegetable love should grow Vaster than empires, and more slow (Marvell lines 11-12)This concept of vegetable love means that Marvell will love this woman for her self instead of for her sex. This is derived from the fact that Marvell suggests a vegetable love rather than a fruit love fruits have a long association with sex and sexual manic disorders and because Marvell chose to not allude to fruit but to vegetable (meaning vegetative perhaps and therefore dormant, or rather, latent sexual operation or sex after marriage) in order to support his proclamation of sparing sex for marriage.Also, vegetables are a plentiful root plant which further illustrates Marvell desires to love this woman with a deep love not a purely sarcoid love. If then Marvell is looking for a more live oning kind with this woman it is no wonder that in lines 13 with 18 he expresses such a love through ages. Although the reader has already been exposed to the type of ageless love Marvell silently promises this woman with the flood (an antiquary allusion) he further tells of an ageless cohere between himself and this woman a s well as the magnitude of this love with the following(a) lines,An hundred years should go to sycophancy Thine eyes, and on they forehead gaze ii hundred to adore each breast, however thirty thousand to the rest An age at least to every part, And the last age should show your heart (Marvell lines 13-18). In these lines also, Marvell seems to telling of his hopes for this nub. He desires a woman who has a true heart and therefore is not only interested in sex. He wants a beloved who will stay by him in former(a) age as well as in their youth. Marvell seems to be placing a lot of emphasis on carnal joyfulness versus what he perceives to be a more pure form of love.Albeit both will exist in his relationship with this woman should they get married, what Marvell truly wants out of this relationship is a lasting companion. His many allusions to time seem to fit with this theory evenhandedly well considering he mentioned loving her until the disclosure (it is said that the Jews w ill not convert to Christianity until the end of the world which is when Marvell professed he would love this woman). However, it seems that Marvell has a change of heart toward the last lines of the poem when he seemingly begs the female child for sexual gratification.Thus, the poem itself presents a timeframe of the poets thoughts leading from love to sex and fundament again. It seems that while Marvell desires a chaste union he also requires a more carnal pleasure right away. There may be something rather male delivered in the lines Times winged chariot hurrying near (Marvell line 25) which speaks to not wanting to waste any more time being strangers but to gain union together. Thus, despite the poems romantic notions the poets theme remains clear pleasure and passion and love.Works Cited Cullen, Patrick. Imitation and Metamorphosis The Golden-Age idyl in Spenser, Milton, and Marvell. PMLA Vol. 84, NO. 6 (Oct. 1969) 1559-1570. Hogan, Patrick G. Marvells Vegetable Love. Studi es in Philology, Vol. 60, zero(prenominal) 1 (Jan. 1963) 1-11. Hyman, Lawrence W. Politics and Poetry in Andrew Marvell. PMLA, Vol. 73, zero(prenominal) 5 Part 1. (Dec. 1958) 475-479. Legouis, Pierre. Andrew Marvell set ahead Biographical Points. The Modern Language Review. Vol. 18, No. 4 (Oct. 1923), 416-426. Summers, Joseph H. Marvells Nature. EHL. Vol. 20, No. 2 (June 1953) 121-135. Tolliver, Harold. The Critical Reprocessing of Andrew Marvell. ELH, vol. 47, no. 1 (Spring 1980) 180-203.